2019 – 20 Members Traveling Exhibition
 M. Robyn Wall, Everything Dies in Winter, Lithograph, 2014, 24” x 32”, www.mrobynwall.com M. Robyn Wall, Everything Dies in Winter, Lithograph, 2014, 24” x 32”, www.mrobynwall.com
 Lisa Turner, Bodily Possessions #2, Screenprint, 2018, 14” x 11”, www.lisaturnerart.com Lisa Turner, Bodily Possessions #2, Screenprint, 2018, 14” x 11”, www.lisaturnerart.com
 Andrew Testa, Composition (Folded Plants, 5) Photopolymer gravure chiné-colle 2017, 11 x 15”, www.andrewtesta.ca Andrew Testa, Composition (Folded Plants, 5) Photopolymer gravure chiné-colle 2017, 11 x 15”, www.andrewtesta.ca
 Eszter Sziksz, Mom, print with milk, 2018, 25" x 20", www.esztersziksz.com Eszter Sziksz, Mom, print with milk, 2018, 25" x 20", www.esztersziksz.com
 Ralph L Steeds, The House is on Fire #4 – Sign of the Times, Color Lithograph, 2018, 14" x 10.5", www.ralphlsteeds.com Ralph L Steeds, The House is on Fire #4 – Sign of the Times, Color Lithograph, 2018, 14" x 10.5", www.ralphlsteeds.com
 Mike Sonnichsen, Recombinant Chromosapien, Lego letterpress, 2018, 14"x11", www.mikesonnichsen.com Mike Sonnichsen, Recombinant Chromosapien, Lego letterpress, 2018, 14"x11", www.mikesonnichsen.com
 Jillian Sokso, After Laughter, relief, serigraph and hand stitching on layers of Matsuo kozo, 2018, 23”x17”, www.jilliansoksostudio.com Jillian Sokso, After Laughter, relief, serigraph and hand stitching on layers of Matsuo kozo, 2018, 23”x17”, www.jilliansoksostudio.com
 Qiaoyi Shi, Green Melon, 18” x 24”, Edition of 10, 3 color screen print, 2018, 20”x25”, www.qy-shi.com Qiaoyi Shi, Green Melon, 18” x 24”, Edition of 10, 3 color screen print, 2018, 20”x25”, www.qy-shi.com
 Jason Scuilla, Meteor with Prepper, multi-plate etching, sugarlift, 2017, 21x15”, www.jasonscuilla.com Jason Scuilla, Meteor with Prepper, multi-plate etching, sugarlift, 2017, 21x15”, www.jasonscuilla.com
 Jennifer Scheuer, Dreams and Wisdom, Color Lithograph, 2017, 10” x 20”, www.jenniferscheuer.com Jennifer Scheuer, Dreams and Wisdom, Color Lithograph, 2017, 10” x 20”, www.jenniferscheuer.com
 Nick Satinover, Sprawl Song (3), Lithograph, 2018, 15” x 18”, nicksatinover.com Nick Satinover, Sprawl Song (3), Lithograph, 2018, 15” x 18”, nicksatinover.com
 Benjamin D. Rinehart, Coping Mechanisms, pressure print, letterpress & reductive woodcut, 2017, 22” x 15”, www.benrinehart.com Benjamin D. Rinehart, Coping Mechanisms, pressure print, letterpress & reductive woodcut, 2017, 22” x 15”, www.benrinehart.com
 Meghan Pohlod, Confrontation 1, 2017, Toner Transfer, Woodblock, Monotype, Chine Collé, 36” x 19”, www.meghanpohlod.com Meghan Pohlod, Confrontation 1, 2017, Toner Transfer, Woodblock, Monotype, Chine Collé, 36” x 19”, www.meghanpohlod.com
 Nathan Pietrykowski, Pile Panic, Lithograph, 2014, 14” x 11”, npietrykowski.com Nathan Pietrykowski, Pile Panic, Lithograph, 2014, 14” x 11”, npietrykowski.com
 Heather Parrish, Transverse Atopia Screenprint, 2017, 22" x 30", www.heatherparrish.net Heather Parrish, Transverse Atopia Screenprint, 2017, 22" x 30", www.heatherparrish.net
 David Newman, Instrumental Oversight, lithograph, 2015, 20" x 16", home.earthlink.net/~davidrnewman/index.htm David Newman, Instrumental Oversight, lithograph, 2015, 20" x 16", home.earthlink.net/~davidrnewman/index.htm
 Heather Muise, Sacred Ground, 4 Plate Etching, 2017, 11" x 14", heathermuise.com/home.html Heather Muise, Sacred Ground, 4 Plate Etching, 2017, 11" x 14", heathermuise.com/home.html
 Megan Moore, It Grew With Frog Legs, Collaged monotype, relief, photo intaglio prints, 2015, 20”x15”, www.onemooremegan.com Megan Moore, It Grew With Frog Legs, Collaged monotype, relief, photo intaglio prints, 2015, 20”x15”, www.onemooremegan.com
 Kimiko Miyoshi, from here to there: scotch tape test, 2015, lithograph, on Rives BFK white paper, 13” x 10.5”, kimikomiyoshi.com/portfolio Kimiko Miyoshi, from here to there: scotch tape test, 2015, lithograph, on Rives BFK white paper, 13” x 10.5”, kimikomiyoshi.com/portfolio
 Sara Method, Navigation 1, 6-color reduction linocut, 2017, 7" x 10”, www.saramethod.com Sara Method, Navigation 1, 6-color reduction linocut, 2017, 7" x 10”, www.saramethod.com
 Michelle Martin, Tethers Photopolymer Etching with chine colle, 2016, 18" x 14”, www.michellemartinprintmaker.com Michelle Martin, Tethers Photopolymer Etching with chine colle, 2016, 18" x 14”, www.michellemartinprintmaker.com
 Eddy A Lopez, Nicaragua: Surviving the Legacy, Archival pigment print, 2017, 28” x 18”, eddyalopez.com Eddy A Lopez, Nicaragua: Surviving the Legacy, Archival pigment print, 2017, 28” x 18”, eddyalopez.com
 Heather Leier, Protective Air, inkjet, chine-collé, screenprint, 2017, 28”x 32”, www.heatherleier.com Heather Leier, Protective Air, inkjet, chine-collé, screenprint, 2017, 28”x 32”, www.heatherleier.com
 Janne Laine, Misty Island, Heliogravure and Aquatint, 2016, 16" x 20", www.jannelaine.net Janne Laine, Misty Island, Heliogravure and Aquatint, 2016, 16" x 20", www.jannelaine.net
 Andrew Kozlowski, Dark Days (March), linocut and screenprint 2018, 19”x15”, www.andrewkozlowski.com Andrew Kozlowski, Dark Days (March), linocut and screenprint 2018, 19”x15”, www.andrewkozlowski.com
 Landa King, New Mexico Bench, collotype, 11" X 14", 2015 Landa King, New Mexico Bench, collotype, 11" X 14", 2015
 Trishelle Jeffery, Soloed, Lithograph and Screenprint, 2018, 17.5" x 22.5", www.trishellejeffery.com/ Trishelle Jeffery, Soloed, Lithograph and Screenprint, 2018, 17.5" x 22.5", www.trishellejeffery.com/
 Aleksandra Janik, Impossible perfection II”, digital print on mirrored paper, 2017, 28" x 18.8", www.ajanik.com Aleksandra Janik, Impossible perfection II”, digital print on mirrored paper, 2017, 28" x 18.8", www.ajanik.com
 Benjamin Iluzada, Trip to the Market, Handmade Transparent Abaca Paper with photo inclusion, relief printing and embroidery. 2018, 16” x 10.5”, www.beniluzada.com Benjamin Iluzada, Trip to the Market, Handmade Transparent Abaca Paper with photo inclusion, relief printing and embroidery. 2018, 16” x 10.5”, www.beniluzada.com
 Richard Hricko, A-3 II, Copperplate Photogravure on Somerset Satin, 2016, 20" x 25", www.richardhricko.com Richard Hricko, A-3 II, Copperplate Photogravure on Somerset Satin, 2016, 20" x 25", www.richardhricko.com
 Mark Hosford, The Scout, Screenprint, 23” x 22”, www.sugarboypress.com Mark Hosford, The Scout, Screenprint, 23” x 22”, www.sugarboypress.com
 Magdalena Hlawacz, My Place, mixed technique, 2016, 16” x 28” Magdalena Hlawacz, My Place, mixed technique, 2016, 16” x 28”
 Adriane Herman, Wreckage Salad (grey pallet), monotype, 2016, 28.5" x 20", www.adrianeherman.com Adriane Herman, Wreckage Salad (grey pallet), monotype, 2016, 28.5" x 20", www.adrianeherman.com
 Carol Hayman, Water’s Edge, 2017, Photo Intaglio, 11 x 15 inches, www.carolhayman.weebly.com Carol Hayman, Water’s Edge, 2017, Photo Intaglio, 11 x 15 inches, www.carolhayman.weebly.com
 Nicole Hand, Compressed Observance, etching & lithograph, 13"x12", 2015, Nicole Hand, Compressed Observance, etching & lithograph, 13"x12", 2015,
 Lee Hackett, Barbara Jo, Silkscreen, 2018, 18” x 24”, www.blackdogpress.com Lee Hackett, Barbara Jo, Silkscreen, 2018, 18” x 24”, www.blackdogpress.com
 Trevor Grabill, A Home Under the Oaks, Woodcut, 2017, 15” x 19”, www.flatmtnpress.com Trevor Grabill, A Home Under the Oaks, Woodcut, 2017, 15” x 19”, www.flatmtnpress.com
 Beth Fein, Reclamation, photo etching with chine collé 2018, 20” x 24”, www.bethfein.com Beth Fein, Reclamation, photo etching with chine collé 2018, 20” x 24”, www.bethfein.com
 Maria Erikson, Interlude (V), stone and offset lithography, 2017, 19.75" x 15.75", www.mariaeriksonartworks.com Maria Erikson, Interlude (V), stone and offset lithography, 2017, 19.75" x 15.75", www.mariaeriksonartworks.com
 Joshua Ege, Someone Show Me a Sign, 3 Color Silkscreen on 120C Neenah Classic Crest, 2017, 20" x 16", www.joshuaege.com/ Joshua Ege, Someone Show Me a Sign, 3 Color Silkscreen on 120C Neenah Classic Crest, 2017, 20" x 16", www.joshuaege.com/
 Doug Eberhardt, Unnatural Monoliths, silkscreen printing, 2018, 22”x28”, www.dougceberhardt.com Doug Eberhardt, Unnatural Monoliths, silkscreen printing, 2018, 22”x28”, www.dougceberhardt.com
 Barbara Duval, Untitled, solarplate etching, 2015, 20" x 16" Barbara Duval, Untitled, solarplate etching, 2015, 20" x 16"
 Justin Diggle, Paparazzi Drone, Photo Polymer Intaglio, 2015, www.justindiggle.com Justin Diggle, Paparazzi Drone, Photo Polymer Intaglio, 2015, www.justindiggle.com
 Seth Daulton, Site XL/V, Lithography and monotype, 2018, 14" x 20", www.sethdaulton.com/index.html Seth Daulton, Site XL/V, Lithography and monotype, 2018, 14" x 20", www.sethdaulton.com/index.html
 Briar Craig, WILL YOU MAKE, hand-pulled ultra-violet screen print, 2018, 29.5” X 22” Briar Craig, WILL YOU MAKE, hand-pulled ultra-violet screen print, 2018, 29.5” X 22”
 Savannah Bustillo, Noam Chomsky’s ‘Knowledge of Language’, Pages 4 and 5 Citrasolv transfer and pronto plates, 2017, 16.5" x 19", www.savannahbustillo.squarespace.com Savannah Bustillo, Noam Chomsky’s ‘Knowledge of Language’, Pages 4 and 5 Citrasolv transfer and pronto plates, 2017, 16.5" x 19", www.savannahbustillo.squarespace.com
 Noah Breuer, Scooter Girls, 2018, Woodcut (2 colors), 23" x 16", www.noahbreuer.com Noah Breuer, Scooter Girls, 2018, Woodcut (2 colors), 23" x 16", www.noahbreuer.com
 Joan Dix Blair, Oakle Drypoints #2 drypoint etching, 2018, 22.5" x 15", www.joandixblair.com Joan Dix Blair, Oakle Drypoints #2 drypoint etching, 2018, 22.5" x 15", www.joandixblair.com
 John Bergmeier, Confession and Mercy (telephone), Monotype - screen print on handmade paper and metalized ABS, 2018, 8” x 7”, www.johnbergmeier.com John Bergmeier, Confession and Mercy (telephone), Monotype - screen print on handmade paper and metalized ABS, 2018, 8” x 7”, www.johnbergmeier.com
 Sherry S. Bell, Voyage, etching/collagraph, 2015, 11" x 15", www.sherrysmithbell Sherry S. Bell, Voyage, etching/collagraph, 2015, 11" x 15", www.sherrysmithbell
 Diana Behl, Letter After, Intaglio, 2017, 12” x 15”, www.dianabehl.com Diana Behl, Letter After, Intaglio, 2017, 12” x 15”, www.dianabehl.com
 Kristi Arnold, Until the Night is Over, Watercolor and oil monotype, Dura-Lar, and colored pencil on paper, 2017, 16" x 22", www.kristi-arnold.com Kristi Arnold, Until the Night is Over, Watercolor and oil monotype, Dura-Lar, and colored pencil on paper, 2017, 16" x 22", www.kristi-arnold.com
