SGC InternationalImage credit: Enrique Chagoya, SGCI Lifetime Achievement Award 2021. Travels of Fortune, 2021
Color lithograph, 21.5 × 36"
The mission of this organization shall be to advance the professional standing of persons engaged in making original prints and drawings and to stimulate public appreciation and interest in the arts of printmaking, drawing, and other graphic media through the exchange of professional information among artists and others involved these arts; through the organization, display and circulation of exhibitions of prints and drawings by members and other artists to be shown in educational institutions and institutions which further the arts, for the purposes of study, research, enjoyment, and the advancement of these arts; through awards given to these deserving special recognition in these arts; and through publications to inform members and others of activities and other information deemed appropriate to the aforesaid purposes.
SGC International is an educational non-profit organization committed to informing our membership about issues and processes concerning original prints, drawings, book arts, and handmade paper.
Each year, our annual conference draws participants nationally and internationally. Our awards, publications and exhibitions promote greater understanding, scholarship, and enjoyment of these art forms to the public at large.
Originally formed as Southern Graphics Council, a regional organization for educators of print in the U.S. South, we have grown over the years into the nation’s largest organization of printmakers. We now have representatives internationally, and in 2010 changed our name to SGC International to reflect this broader scope. While the SGC International mission focuses on printmaking, we welcome everyone interested in advancing the dialogue of art, its education, and its processes.
SGC International does not and will not tolerate unlawful discrimination. Membership in SGCI and participation in its events will be extended to all persons without regard to race, color, religion, sex, national origin, age, disability, veteran status, marital status, or sexual orientation.
SGCI reaffirms and emphasizes its commitment to provide a professional environment that is fair and responsible; that supports, nurtures, and rewards educational and professional growth on the basis of relevant factors such as ability and performance; and that is free of discriminatory, inappropriate, and disrespectful conduct or communication. Sexual harassment threatens this; inhibits the individual’s ability to function effectively; and violates acceptable standards of interrelationships. For these reasons, SGCI will not tolerate sexual harassment and will make every effort to eliminate it if it appears.
SGC INTERNATIONAL 2022-25 EXECUTIVE BOARD
Artist Susan Czechowski, fell in love with screen printing thirty years ago when she was lucky enough to work on several pieces for Roy Lichtenstein. Since then, she has taught thousands of students silkscreen and printmaking techniques as a professor at Western Illinois University. Outside the classroom, Susan leads art students on annual trips to her native New York City as well as summer sessions to different cities across Europe. In addition to her role as educator, Susan has exhibited her own work in numerous gallery and museum settings across the United States and Europe. She has been awarded residencies and exhibitions at Grafische Werkplaats in the Netherlands, and Prairie Center of The Arts, Peoria, IL. She holds a B.A. in Art and Art History from Washington College and an M.F.A. from Syracuse University—and feels the same excitement each and every time she pulls a squeegee across a fresh sheet of paper.
Claudia Wilburn is a mixed-media artist currently living in Northeastern Georgia and teaching as an Associate Professor at Brenau University where she is the Department Chair for Art and Design and Director of the enter for the Arts and Design. She received her Masters of Fine Art from the University of South Carolina and her BFA from Clemson University. She grew up in the Lowcountry of South Carolina and has lived throughout the South. Her work draws on the connections, paths, family and community present in the Southeastern American experience. Her academic research has been presented internationally and her work has been exhibited all over the US.
Selected Exhibitions and Presentations: Wilburn presented her body of work titled Navigate by Reckoning in a solo exhibition at the Batesville Area Arts Council, Batesville, AR in October 2019 and at the Quinlan Visual Arts Center, Gainesville GA, January 2021.
In May 2020, Wilburn was awarded with the Master’s in Teaching Award by Featherbone Communiversity & Brenau University. In May, 2018 she was awarded the Ann Austin Johnson Outstanding Faculty Award at Brenau University in Gainesville, GA. This award is selected by a committee of previous awardees based on recommendation by students and faculty; awardees demonstrate and foster outstanding teaching, enhancing teaching as a profession, and supporting other faculty in the pursuit of excellence.
A Chicago, IL and Milwaukee, WI native, Tyanna Buie is a visual artist who received her BA from Western Illinois University, and her MFA from the University of Wisconsin-Madison. Buie has attended Artists-In-Residency programs, such as the Joan Mitchell Center in New Orleans, LA, the Women’s Studio Workshop in Rosendale, NY and the Vermont Studio Center in Johnson, VT, as well as maintaining a connection to the community by hosting printmaking workshops and demonstrations, while participating in Healthy Neighborhood Initiatives through the production of public art created for underserved neighborhoods and communities in Milwaukee, and Madison, WI.
Buie has been a visiting artist lecturer in Tennessee, Georgia, Illinois, Indiana, Alabama, Wisconsin, Kansas, Missouri, Rhode Island, and Arizona, while continuing to exhibit her works in numerous juried, group and solo exhibitions throughout the country. Her extensive exhibition record includes: The Contemporary Invitational Print and Drawing exhibition at the University of Hawaii at Hilo, The Haggerty Museum of Art, The Racine Art Museum, The Red Bull House of Art, N’NAMDI Center for Contemporary Art, the Urban Institute for Contemporary Arts, The Milwaukee Art Museum, The Madison Museum of Contemporary Art, The Museum of Contemporary Art Detroit, the Wriston Art Center, the Museum of Wisconsin Art, and the Alice Wilds.
Buie received an emerging artist Mary L. Nohl Fellowship in 2012, the Love of Humanity Award from the Greater Milwaukee Foundation and the prestigious Joan Mitchell Painters & Sculptors Grant in 2015, the 2019 Kresge Artist Fellowship in the Visual Arts, the 2019/2020 Grant Wood Fellowship in Printmaking at the University of Iowa in Iowa City, IA, and the 2020 Fellowship.art award, a top accelerator award/program funded through gener8tor.
Buie’s work has been acquired by major institutions and private collections nationally and her work has been reviewed on Hyperallergic.com and featured on Essay’d.com. Currently, Buie is an Assistant Professor/Section Chair of Printmaking at the College for Creative Studies in Detroit, MI.
I am a first-generation American of East Indian descent and spent my formative years between the US and New Delhi. I attended college part-time for many years as a single working mother and received a BFA in painting and an MFA in printmaking. I work in printmaking and encaustic, as well as installation work. I am the Board President of Seattle Print Arts and I run the 2D department at Pratt Fine Arts Center. Being an American growing up in an Indian household I attempt to understand my place in between through making.
Maciej Zdanowicz was born in Poland, 1982. He is a visual artist, art theorist who works in the field of intermedia graphic activities, printmaking. His interests are focused the idea of correspondence of the arts, especially relations between image and sound, based on psychological, perceptual conditions. He seeks the immersive dimension of art creating solutions in the area of sound, dynamic suggestiveness.
He works as an Assistant Professor at the Faculty of Art, the Jan Kochanowski University in Kielce, where runs the studio of intermedia structures and mechanisms of seeing and currently serving as a Vice Dean for Educational and International Affairs. Since 2021 he initiates and coordinates efforts of the city of Kielce for the title of “European Capital of Culture 2029”, taking actions to build cultural policy of the city on local, regional, national and international level. He is pursuing a postgraduate program in Cultural Heritage Management at the Academy of Heritage at the International Cultural Centre in Krakow and the Krakow University of Economics. He is a member of the ATINER Athens Institute for Education and Research (Arts, Humanities and Education Division – Arts and Culture Unit), The Polish Section of The International Association of Art Critics (AICA), SGC International, International Print Triennial Society, Polish Society of Electroacoustic Music PSeME. Since 2012 with Ewelina Kurkowska create artistic and anthropological projects in the field of soundscape, acoustic ecology in Poland and abroad. Zdanowicz received awards and honors (Artistic Scholarship of Lodz City Mayor in 2017, honorable mention in the I National Exhibition of Student Drawing in Torun in 2008, the prize of the City Art Gallery in Lodz at the 23rd Wladyslaw Strzeminski Competition- Fine Arts). He is the author of several individual exhibitions, national and international curatorial projects, critical texts, scientific articles in the field of history of modern and contemporary art.
In 2002-2007 he studied at the Faculty of Graphic and Painting, the Wladyslaw Strzeminski Academy of Fine Arts in Lodz. He graduated with honors from the prof. Boguslaw Balicki’s Studio of Poster Design and prof. Romana Halat’s Studio of Painting and Drawing. From 2007 to 2016 he was working as a Teacher Assistant in the Studio of Image run by prof. Aleksandra Gieraga, at Faculty of Visual Arts of his Alma Mater. In the years 2009-2015, he was studying History of Art (doctoral studies) at the Institute of Art, Polish Academy of Sciences in Warsaw. From 2012 was a doctoral student at the Institute of Fine Arts, the Jan Kochanowski University in Kielce, where in 2015 received a doctoral degree in Fine Arts.
Denise Bookwalter is an artist and educator. She is founder and director of Small Craft Advisory Press, a collaborative book arts press that pushes the tradition of the artist book. She is Professor in the Department of Art at Florida State University where she is Area Head of Printmaking. Her book works are collected in the US, Netherlands and South Africa. She lives in Tallahassee, Florida with her husband and twin daughters.
Arron Foster received his Bachelor of Fine Arts degree in Printmaking and Art Education from East Carolina University in Greenville, NC and his Master of Fine Arts degree in Printmaking and Book Arts from the University of Georgia, Athens Georgia. He has exhibited both nationally and internationally and has held academic appointments at the University of Georgia, Athens, Georgia, Kent State University, Kent, Ohio, and Ohio University in Athens, Ohio.
Mike Smoot currently lives in Southern Vermont and is a Professor of the Practice in Print and Paper at the School of the Museum of Fine Arts at Tufts University. He completed Tamarind Institute’s Professional Printer Training Program in 2007 and has worked at a number of professional fine art print studios including Atelier Towson, The Experimental Print Institute, Tamarind Institute, and Landfall Press. He has taught or given lectures and demonstrations on printmaking at Towson University, Goucher College, East Carolina University, Southeast Missouri State University, Milwaukee Institute of Art &amp; Design, Georgia State University, Valdosta State University, UMass Amherst, Bennington College, Keene State College, and Smith College. In addition, he has worked with a number of art related community organizations. He believes printmaking’s potentials for sustained collaborative effort, the negotiation of difference, and collective creative action make it a worthwhile pursuit.
Valerie A. (Wright) Dibble is a practicing artist, university professor, wife, homemaker and mother of three. She earned her BFA from Arizona State University in 1982 in printmaking and photo processes. She earned her MFA from the University of Florida1991 in printmaking and electronic media.
Valerie is currently a Professor of Art and the Coordinator of the Printmaking concentration at Kennesaw State Univeristy. She has been awarded the Distinguished Teacher, Distinguished Scholar and Distinguished Service awards. She has also received a Governor’s Teaching fellowship and numerous grants. She actively serves by holding positions on local, national and international Boards for various art organizations.
K. MacNeil (they/them) is a genderqueer artist, educator and curator who was born and raised in the US. They maintain an interdisciplinary practice that encompasses – but is never limited to – print media, video, performance, and drawing. Their work explores and questions contemporary stigmas surrounding trauma, mental health, and memory.
MacNeil’s work has exhibited internationally in Paris, France and Beijing, China, and throughout numerous institutions across the US including the International Print Center New York, PrintAustin, the Western New York Book Arts Center, and CEPA Gallery. Recently, they were awarded the Awagami Paper Award by the Print Center (Philadelphia, PA) as a semi-finalist in their 94th Annual International Competition.
MacNeil holds a BA in Studio Art from the College of Charleston (2011 magna cum laude), and a MFA in Studio Art from the University at Buffalo (2018). They currently reside in the Niagara Region (Ontario & Western New York).
Joseph Velasquez was born in Amarillo, Texas, and raised in the San Fernando Valley of California. After his military service, he earned his BFA from the University of Mary- Hardin Baylor, Belton, Texas. Then he earned both an MA and MFA in Printmaking at the University of Wisconsin, Madison and. He is the co-creator of a mobile printmaking studio, Drive-By Press, that has traveled over 200,000 miles across the country and has been to 145 Universities where he has lectured and demonstrated printmaking practices.
Joseph’s work evolves around popular culture graphic iconography, community outreach, education, and activism. He is a National Endowment for the Arts recipient: Funded through The John Michael Kohler Arts Center for a Community Arts Project and residency and an Assistant Professor of Art at Florida Atlantic University. He teaches Bookmaking, Screenprinting, Relief, and Intaglio.
Velasquez has exhibited at numerous national and international venues, notably "Air-Land Seed" on the occasion of the Venice Biennale 54th and 55th International Art Exhibition, Venice, Italy; South African Museum, Cape Town, South Africa; The Print Center, Philadelphia, Pennsylvania; Doujiao Museum of Art, Songhuang Art Village, Beijing China, State Lines: A Survey of American Printmakers, University of Dundee, Scotland, UK. Exhibition of prints from American artists Velasquez met on his mobile printmaking tour.
DR. FAISAL ABDU’ALLAH
The art of Abdu’Allah and his contemporaries in the early 1980s can be evaluated in a manner that fills an important void within available scholarship on the subject of contemporary art in relation to Afro-British culture. What began as an artistic gesture in the 1980s more fully materialised in the early twenty-first century as a complete conceptual approach that questioned issues of race and identity in relation to issues of cultural diversity and multiculturalism. Abdu’Allah’s work broke away from the British artistic establishment and the rules of institutional representation, particularly insofar as he began selecting his subjects from émigré utopia, Afro-British social consciousness, Muslim identity, and working-class life. He also integrated other views of London, portraying it as a city of dislocated communities that were powerless in the existing world of art.